Going Native Nothing New

There is nothing new under the sun.

Not even new media.

NBC has replaced ads on some of its shows with content sponsored by American Express, AdAge reports.

The content comprises extra scenes with stars from the shows, with the credit card issuer mentioned before and after each segment.

Other networks plan the same move.

"Many TV networks are cutting back on commercials to appeal to younger viewers who are used to watching shows ad-free on Netflix—and to appease marketers who are concerned their messages are getting ignored amid the clutter," AdAge says.

Before CLIOs are handed out, it's worth remembering broadcasters weaved "native ads" into TV shows 70 years ago (and into radio shows earlier still).

Containers of the Past

For nearly 200 years, Americans used stoneware to keep perishable food. It was, in fact, the predominant houseware of the 19th century.

The ceramic containers were heavy and expensive to ship, so stoneware potteries cropped up everywhere to serve local markets.

But after 1913, when refrigerators were introduced, the once-ubiquitous potteries sputtered and failed.

You could say, refrigerators had a chilling effect on the stoneware business.

Today's refrigerator is, of course, the smartphone, as this week's Mobile World Congress makes clear.

And, as the event makes clear, the business without a mobile strategy today is the stoneware pottery of tomorrow.

As ad agency exec Rishad Tobaccowala says, "The future doe not fit in the containers of the past."

What's your mobile strategy?

On the Shoulders of Giants

"We are like dwarfs sitting on the shoulders of giants."

—John of Salisbury

Two neighborhoods in my fair city, Washington, DC, take their names from giants we've all but forgotten.

Oliver Howard graduated from West Point in the 1850s and was sent to fight Seminoles. While encamped in the Everglades, he was "born again." His peers would forever after mock his piety.

An abolitionist, in 1861 Howard found himself leading Union troops at Bull Run. A year later, he lost his right arm at Seven Pines, but would return from the hospital three months later to fight at Second Bull Run and Antietam. In subsequent years, Howard led bluecoats into battle at Chancellorsville, Gettysburg, Chattanooga, Atlanta and Savannah.

After the war, Howard was made commissioner of the Freedmen’s Bureau. He believed former slaves would most benefit from education, and in 1867 started Howard University in Washington.

Robert Shaw, the fair-haired son of a family of Boston abolitionists, dropped out of Harvard in 1859, uncertain how to spend his life. When the Confederate states seceded two years later, he enlisted in the Union army, soon reaching the rank of colonel.

While home convalescing from a wound received at Antietam, Shaw was tapped to organize the 54th Massachusetts, one of the North's first regiments of African American troops. Sent to South Carolina as manual labor, the regiment was soon chosen to spearhead an ill-fated assault on a Confederate fort outside Charleston.

In the attack, Shaw's exposed troops were shredded by artillery and musket fire, but their remnants managed to reach and scale the ramparts. During brutal hand-to-hand combat inside the fort, Shaw was killed.

The Confederate general in charge refused to return Shaw’s body to the Union army after the fight. To show his contempt for a white man who would lead black troops, the general tossed Shaw's body into a common burial trench. After the war, Shaw's family chose to leave their son's body there, his father remarking they couldn't wish for him better company.

While you wait in line for your latte, celebrate February 29, the bonus day of Black History Month, by Tweeting this post. Include the hashtag #ShouldersOfGiants.

Fish Story

Here's a story with a hook.

Skift reports SeaWorld's CEO, after denying his employees posed as animal rights activists to infiltrate PETA, has admitted to conducting a covert operation.

In a report to stockholders, Joel Manby acknowledged corporate spies were sent by SeaWorld "to maintain the safety and security of employees, customers and animals in the face of credible threats.”

But a PETA spokesperson says SeaWorld sent agents provocateurs to bait PETA's people.

“SeaWorld’s corporate espionage campaign tried to coerce kind people into setting SeaWorld on fire or draining its tanks, which would have hurt the animals, in an attempt to distract from its cruelty and keep PETA from exposing the miserable lives of the animals it imprisons,” Tracy Reiman said.

SeaWorld's spokespeople have clammed up, claiming further comment would disclose "confidential business information related to the company’s security practices."

SeaWorld has been angling to fix its damaged brand for three years, after the movie Blackfish sent park attendance reeling and put profits in the tank.

As a case study in floundering PR, this one's a keeper.

Creativity Carries a Big Stick

“You can’t wait for inspiration, you have to go after it with a club,” Jack London once said.

Creative problem-solving is a free-for-all, as creative problem-solvers know.

It's toilsome work that British psychologist Graham Wallas said, in his 1926 book The Art of Thought, unfolds in four stages:

Preparation. The problem-solver acts like a hunter/gatherer, finding and grabbing materials she can use to construct new ideas.

Incubation. The problem-solver takes an indefinite time out. "The period of abstention may be spent either in conscious mental work on other problems, or in a relaxation from all conscious mental work," Wallas says.

Illumination. The problem-solver arrives at the eureka moment. That moment, Wallas says, is "the culmination of a successful train of association, which may have lasted for an appreciable time, and which has probably been preceded by a series of tentative and unsuccessful trains."

Verification. The problem-solver hunkers down to serious work "in which the results of the inspiration are verified and the consequences deduced."

The four-fold process may be serial, but creative problem-solving isn't, Wallas says.

Creative problem-solving proceeds like music, with wandering and overlapping parts.

"In the daily stream of thought these four different stages constantly overlap each other as we explore different problems. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect."